“New piece from this Ohio based percussionist experimentalist whose collaborated with a buncha folks recently (C.Spencer Yeh, Fossils, etc). One extremely minimal piece of drone, totally acoustic with an insane ending... In Ryans words 'it's all acoustic. Supersonic acoustic sine waves interfering with one another making audible sweeps, etc. It's all just a floor tom. Secret f**kin' ninja jedi mind moves and s**t'... Edition of 80 in gold sprayed and stickered sleeves of painted and stamped sleeves, everyone individual in either maroon, black or white papers...” – BRR.

UK-only EP from Psychedelic Horseshit, with five tracks that span primitive dub environs through acerbic post-Fall basement rants, including a track from the Siltbreeze LP. Edition of 300 copies.

"After about a 2 year absence, Psychedelic Horseshit is back with an EP of alleged B-sides from an upcoming full length..."I only listen to OK Computer and Cranes. The Fall sucks, DIY sucks, we suck, you suck." said Matt Horseshit in a recent interview."Why should anyone listen to you then?" replied the reporter."Because we're FUN, duh." And even though you wanna hate 'em, you gotta admit, they kinda are fun. Matt is a dick, of course, and Rich is hilariously clueless mostly, and by all means most of the stuff on this SHITGAZE ANTHEMS EP should'nt work, whether it be the white-boy dub section, the cliche acoustic ballad with backwards guitar, the blatant Dylan rips, or the overall amateur playing, but for some reason these elements that usually reek of pretention and failure actually endear you to the band and their songs. Yes, they're called Psychedelic Horseshit. Yes, they do suck, but I'll be damned if they aren't one of my favorite bands in the world, and they're only getting better, but if I tried to tell you why it'd only make 'em sound worse. So it goes..."- matt horseshit

Full-length LP from this Columbus, Ohio based group with connections to Psychedelic Horseshit. This is a weird pop-rock hybrid, with a distant, dislocated recording style, haunted piano, trading male/female vocals, a pop aesthetic that reflects on the more wayward International cells associated with K Records (Cannanes circa African Man’s Tomato maybe?), primitive post-Velvet Underground garage stagger (that eventually give sway to a full-blown “Sister Ray” styled jam) and an overall weird private press folk/rock atmosphere, heightened by both sides of the cover art. I dunno. This one sits in such a weird area, between a bunch of confusing and confused approaches, that has meant I have been repeatedly going back to it without fully understanding it. Either way, it’s an addictive spin.

Limited self-released LP that mops up all of the band’s earliest CD-R releases in one place: King Tubby’s Badness Dub, The Anticoncept, Blown Speaker Standards, Dancey Pants and Summertime Suicide alongside a couple of bonus tracks. Even cruder than the recent Shitgaze Anthems set, the combination of zero fidelity, almost-hooks and non-conceptual avant smarts is pretty choice. Comes with liner notes from Rob Enbom of Eat Skull.